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Joyce Wang Studio has renovated Mandarin Oriental The Landmark in Hong Kong for a second time, more than a decade after its first redesign. The latest work covers 109 rooms and suites, the mansion foyer, the spa and the former MO Bar, with a stronger focus on local heritage and Hong Kong references.
Joyce Wang Studio has renovated Mandarin Oriental The Landmark in Hong Kong for a second time, more than a decade after the studio first reimagined the hotel. The latest project covers 109 rooms and suites, the mansion foyer, the spa and the former MO Bar, with the design placing greater emphasis on the building’s heritage and its connection to the city, according to Design Milk’s report.
The redesign is organized around the idea of a lived-in mansion, drawing on historic homes in Hong Kong. Green and orange form the principal palette: the studio connects the green to the city’s gardens and the orange to terracotta tones in colonial architecture. In the arrival areas, stone, timber, textured wallcoverings and custom eglomisé glass pair traditional architectural gestures with contemporary detailing.
The lobby sequence includes an undulating staircase, artwork bays and sculptural plinths, arranged to suggest arrival at a grand residence. Hong Kong’s skyline appears elsewhere in custom artworks used as carpets, tapestries and eglomisé glass in the lobby, elevators and guestroom corridors. In the rooms, rugs take patterns from historic local brickwork and sit alongside lightened timber floors, cracked gesso wall finishes and a Fromental wallcovering with hand-painted and silk elements.
Art and collected objects are part of the design rather than later additions, the report says. The collection includes work by emerging and established artists, from Hong Kong and elsewhere. Sculptural vases and artisanal vessels were selected to evoke objects accumulated in a private home. The source identifies the former MO Bar as part of the project’s scope but does not detail its new use or design.
A More Local Hotel Identity
The renovation gives the hotel a renewed design identity while retaining a connection to the studio’s earlier work. Its use of Hong Kong architecture, landscape and art moves the scheme beyond a generalized residential look, tying guest rooms and shared spaces to the city’s visual history. For visitors, those references are encountered throughout the building, from the arrival sequence to the carpets and corridor artwork.
The project also illustrates how a major hotel can revisit its interiors without simply repeating an earlier design. Joyce Wang Studio’s stated emphasis on local relevance offers a framework for the redesign, while the mansion concept supplies a consistent thread across spaces with different functions. The report describes the design approach, but does not provide information about project costs, operational changes or guest response.
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The Studio’s Second Landmark Project
Design Milk reports that Joyce Wang Studio first reimagined Mandarin Oriental The Landmark more than a decade before carrying out this renovation. The new brief, as described by studio principal Joyce Wang, shifted greater attention toward the hotel’s Hong Kong setting and the heritage of the building. The source does not give the dates of either commission, so the interval is described only as more than a decade.
The report was written by Leo Lei, founder and editor of Leibal, a publication focused on minimalist design, architecture and interiors. It presents the renovation through its materials, artworks and design concept; it does not provide an independent account of the hotel’s operating plans or a separate statement from the hotel.
““We took inspiration from the colonial country manors frequented by the Tai Kwuns of a bygone era to celebrate the beauty of these historic homes that still fascinate today.””
— Joyce Wang, principal of Joyce Wang Studio, as quoted by Design Milk
Opening Plans And Project Details
The Design Milk report does not state when the renovation was completed, whether all affected spaces are open to guests, or whether any areas are operating under changed arrangements. It also gives no project budget, construction timeline or details about the former MO Bar’s future use. Those details cannot be confirmed from the source material.
The report describes the studio’s design intentions and selected materials, but does not include comment from Mandarin Oriental The Landmark on guest experience, business impact or the hotel’s broader plans. The extent to which the redesign changes services or operations, beyond the listed areas, remains unclear.
Further Hotel Details Await
No next milestone or additional announcement is specified in the source report. Further information from the hotel or studio could clarify the renovation’s completion and opening status, the treatment of the former MO Bar, and whether other hotel spaces are scheduled for work. Until then, the confirmed scope remains the 109 rooms and suites, mansion foyer, spa and former MO Bar.
Key Questions
What has Joyce Wang Studio renovated at Mandarin Oriental The Landmark?
The reported scope includes 109 rooms and suites, the mansion foyer, the spa and the former MO Bar.
Why did the studio redesign the hotel again?
Joyce Wang told Design Milk that the latest brief gave greater emphasis to Hong Kong’s local relevance and the building’s heritage. The report says the studio’s first redesign took place more than a decade earlier.
What is the renovation’s design concept?
The scheme is based on the idea of a lived-in mansion, with references to historic Hong Kong homes, local architecture, gardens and the city skyline.
When did the renovated spaces open?
The source report does not provide a completion or reopening date, or say whether every space in the project is currently open.
What will happen to the former MO Bar?
The former MO Bar is listed within the renovation’s scope, but the report does not explain its new design, use or operating status.
Source: design-milk.com
