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A 1912 San Francisco Victorian has been reworked by architect Jack Backus and designer Clara Jung, with a bold periwinkle kitchen chosen by the homeowner as a central feature. The project also reshapes the home for entertaining while retaining surviving original details; the designers say custom cabinetry and a curved island help make the vivid color feel deliberate.
A periwinkle kitchen is the standout feature of a redesigned 1912 Victorian home in San Francisco, where architect Jack Backus and designer Clara Jung worked with the owners to make the house more suited to entertaining while retaining the original details that remain. In Livingetc’s report, Jung says the kitchen color was the homeowner’s idea, paired with custom cabinetry and a curved island developed by the design team.
The three-storey house measures 2,600 square feet and has views across San Francisco Bay, according to Livingetc. The report says the home had previously lost much of its original character. The project was not framed as a full restoration: Jung said the approach was to build on surviving features while adding color and a personal feel.
The kitchen’s floor-to-ceiling periwinkle cabinetry sits within an otherwise light, neutral space. Jung told Livingetc that the client had her heart set on the color. The design team contributed the cabinetry details and curved island, which Jung said help the unusual shade read as an integrated design choice rather than an isolated accent.
Other rooms use distinct colors and materials. A graphic marble floor marks the entry, which occupies a former front porch enclosed at an earlier point. The living room is enveloped in deep navy; Jung said the team embraced its low light to create a softer, layered atmosphere. An open but partially separated arrangement links the living and dining rooms, reflecting the owners’ pattern of hosting dinner parties every few weeks.
A Bold Kitchen With a Purpose
The project illustrates how a strongly colored kitchen can be tied to a wider design plan rather than treated as a novelty. Here, the owners’ preference supplied the starting point, while custom millwork and a curved island provide visual structure. Jung’s explanation is design guidance, not a guarantee that the same color or detailing will work in every home.
The renovation also addresses how the house is used. The owners wanted room for art, regular gatherings and a smooth route between shared spaces. The partially open plan and adjoining living and dining areas respond to that brief, while the kitchen’s high-impact finish gives the remodel a clear focal point. The design therefore links appearance with everyday function instead of treating the kitchen color as the project’s only change.
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A Victorian Reworked for Entertaining
The home’s age and prior alterations shaped the project. Livingetc reports that the 1912 house had been stripped of many original features before the current work. Backus and Jung did not set out to return every room to a historical state; Jung described a more selective approach, using what survived as a base for a contemporary interior.
That distinction matters when describing the result: it is a modern redesign of a historic house, not a documented period restoration. The report identifies the owners as a couple who wanted a shared home reflecting their interest in art, entertaining and color. It does not provide a detailed construction timeline or a list of preserved architectural elements.
““The goal was never a restoration, but to lean into what original details remained while also injecting the various spaces with color and playfulness.””
— Clara Jung, principal designer at Banner Day Interiors, speaking to Livingetc
Project Details Not Reported
Livingetc’s report does not state when the renovation was completed, what it cost, or how long construction took. It also does not detail the full scope of structural work, the specific original features retained, or the kitchen’s materials and appliances. The available account describes the design intent and selected rooms, but does not include a response from the homeowners themselves beyond Jung’s description of the client’s preferences.
The article provides no independent assessment of how the layout performs in daily use or whether the changes affected the home’s value. Those outcomes should not be inferred from the photographs or the designer’s account.
No Further Project Milestone Listed
The source presents the home as a completed design project and does not identify an upcoming construction phase, public event or follow-up announcement. Readers seeking technical specifics would need further information from the owners, project team or contractor, including the renovation timeline, budget and details of the work behind the finished rooms.
For now, the reported project offers a documented example of how this design team connected an owner-led color choice with bespoke cabinetry, a curved island and a layout intended for hosting. The article does not indicate whether the owners or designers plan to share additional project details.
Key Questions
Where is the house?
It is a 1912 Victorian in San Francisco, with views across the Bay, according to Livingetc.
Who worked on the redesign?
Livingetc identifies architect Jack Backus and designer Clara Jung, principal designer at Banner Day Interiors. The report also credits North Bay Construction as builder and contractor.
Who chose the periwinkle kitchen?
Jung told Livingetc that the homeowner had her heart set on a periwinkle kitchen. Jung said the design team developed the custom cabinetry details and curved island.
Was the house restored to its original condition?
No. Jung said the goal was not a full restoration, but to work with original details that remained and add contemporary color and character.
What information about the renovation is unavailable?
The report does not give the project’s cost, completion date, construction duration or a full account of the work and original features retained.
Source: rss
